FAITH DEVLIN: A poor, outcast child in Prescott, Louisiana, she’d always adored the town’s golden boy from afar. But he called her white trash that sultry Southern night when his rich, respected father disappeared, along with her pretty Mom. Now Faith wanted to hate Gray Rouillard…not to feel a powerful surge of desire. But she couldn’t quench her passion, any more than she could hide the truth about the past she had waited so long to unravel.
GRAY ROUILLARD: Even when he raised hell, he did it with style. Reckless, charming, and backed by Rouillard money, Gray controlled the town of Prescott — and Devlin was a name he never wanted to hear again. But when he gazed at Faith Devlin, all he saw was a swirl of tangled sheets and her silken flesh beneath him. To care for her was impossible, unthinkable…because Gray Rouillard planned to use all his power to ruin her.
So this one is another Openlibrary (read for free legally-just get pdf not epub) AND Shame File. And unlike Shades of Twilight, I am just going to go ahead and admit, yes, I have actual shame for enjoying this book, despite the fact I’ve gone back to it on numerous occasions like an addict looking for my next fix.
Here’s my obligatory warning, there will be spoilers here. I can’t very well discuss the issues if I can’t say what they are. Also, trigger warnings, all the trigger warnings.
So it starts with Faith Devlin as a small child. She is infatuated with Gray, and as she grows older (she is a young teen now) this infatuation turns sexual in nature-of course. In any event Faith grew up in the town’s trashy family, and her mother is having an affair with the town scion who happens to be Gray’s father. When the two disappear, it starts a chain reaction that culminates in Gray and law enforcement going out to the shack the Devlin’s live in and running them out of town. It is the middle of the night and Faith is in a nightgown trying desperately to get her family’s thing packed as LEOs are throwing their stuff in the dirt. The cop cars have their headlights on and it turns her nightgown transparent and all these grown damned men, particularly the “hero”, are gawking and lusting after this teenager, thinking how she looks sexy like her mother. Hence the title – After the Night.
Eventually Faith grows up and finds out her mother actually didn’t run off with Gray’s father, so she heads back to her hometown to find out the truth. And back home all anyone can think about is how Faith looks like her mother and must be a trashy whore like her too. Sparks immediately start striking off Faith and Gray, and while Faith may be a feisty one in any other situation, when it comes to Gray she is a perpetual and unremitting doormat. He pushes her, and coerces her, and manhandles her and is in general a misogynistic a-hole toward her. And basically she just lets him treat her that way and the least little bits of anything remotely resembling kindness she just soaks it up like a sponge-forgiving his every transgression. Never mind that he and his family would have cheerfully bought out her house and run her out of town if she hadn’t bought it outright, that they would have messed with her banking if she hadn’t kept that out-of-state, that he turned the entire town against her so that she couldn’t buy gas or groceries in town, never mind any of that-he says he’s proud of her and she preens. This is a woman who needs freaking therapy, not the dubious love of a jerk who holds literally all of the power in the relationship.
Eventually they do end up together, but he never really apologizes for any of it, and then there is quite possibly the creepiest thing EVER said by a so-called hero. They are talking about the night that her family was thrown out of town and he tells her it wasn’t all bad because he wanted her then. That’s right the most traumatic night of her entire life wasn’t all bad because she gave him a boner when she was 14 years old. Add to that the fact that apparently the villain had been using Gray’s sister as a sexual surrogate for their mother, and she felt compelled to let him so her wouldn’t leave like their father supposedly did, and there are entire levels of sexual creepiness here. And that last was just gratuitous, there wasn’t a real need for it to further the story.
So why do I keep circling back to it? Damn but there are sparks there. And their banter is often hilarious. And Gray could also be funny and humorous, and once he quits trying to run the heroine out of town he’s oddly likable. And there is this just intense and funny and bonding intimate scene that I always go back to. Linda Howard just has a way of writing characters that I can always come back to.
In this case I think I shouldn’t come back to it. There is everything wrong and really nothing really redeemable about this story. And looking at it objectively, the things I enjoy about it should never have outweighed the bad. It is just that I never looked at it objectively. As it always left me on an emotional high, that is the way I always think of it, and I never went past the surface of the emotions I was left with. ANd now I am looking at it objectively, and it is objectively horrifying…and yet…I still enjoy it. What does that say about me I wonder?
In any event, I should probably quit picking exclusively on Ms. Howard, whom I still love and who has some of the absolute best and favorite books, the author who got me to see that birth control in romance is a good thing and that it can be sexy and funny and good, and that heros could make me cry too. It is just that I have read and reread her books so many times, and her characters and stories are complex so that it was inevitable that some would have issues. So I think I’ll pick another excellent one next, and then try to pick on someone else next time.