Imogen Waterstone has always prided herself on being a thoroughly independent young woman, but now she needs a man of implacable will and nerves of iron. That’s why she invited Matthias Marshall, infamous Earl of Colchester, to her home in Upper Strickland. Who better than the legendary explorer to help her lay the perfect trap?
Her scheme is simple, really: She plans to let it be known that when she inherited her uncle’s collection of antiquities, she also inherited a map to a fabulous ancient treasure. She’s sure that her enemy would risk financial ruin in pursuit of the mythical artifact. And to make doubly sure the scoundrel took the bait, she wants Colchester to pretend that he’s out to seduce Imogene so that he, too, could get his hands on her map.
Yet in all of her plotting, Imogene never anticipates Colchester’s violent reaction to her request or her own electrifying reaction to him. Neither does she expect that a malevolent threat would emerge from the labyrinth of London–sinister enough to endanger her and Colchester’s lives.
It was bound to happen sooner or later when I am on a comfort reading binge. Amanda Quick has been a shelter in the storm for me for a long, long time. I read them new, and I read them old, and I re-read them regularly whenever life happens. So it is actually kind of surprising that it has taken me so long to get back to her this time.
This is yet another one that is available on OpenLibrary, and again, I am reading my personal copy so I can not vouch for the scan (though all the ones I have borrowed form OpenLibrary have been good), and I highly suggest you borrow the PDF version and not the EPUB, unless you like playing the OCR text recognition atrocity game.
As with many of Quick’s books, the heroine belongs firmly in the competence porn category, along with a helpful dose of naivete and fresh faced innocence. Imogen is a blue stocking who was raised by her Original parents as something of a social experiment, and in many ways it shows. She is a confusing mix of over-educated bluestocking and completely uneducated socially. But she goes full tilt to whatever she believes in. Heroines like this are why Quick is comfort reading for me. It is pleasant to be in the head of a capable woman (rather than a damsel in distress) who also still has some happiness and lightness to her, who can see the good in life despite negative circumstances.
Colchester is the stock Quick hero, technically brilliant, removed from life, dark, and recognizing rather early how much he needs the heroine in his life. Quick’s heroes are stock wish fulfillment.
So basically I have blathered on about how stock and typical and cut from the same cloth Quick’s stuff is, which is true (Duh, comfort reading), but what gives it that little edge, for me, is how charming the characters are, and all the little details that suck me into their stories.
The problems are always different, but there is nothing that comes up that can’t be solved with a little logic and some fortitude, and love is transformative in lovely little ways. Quick’s books, especially the older ones, tend to leave me with a rosy little glow. I couldn’t say there’s any one thing in this one that makes it stand out more than her other historicals, it is just that it is just enough different to not be the same one, if you see what I mean. So, I’ll just bask in my after glow and drink my tea while contemplating the next one I’ll read.